Showing posts with label Contact. Show all posts
Showing posts with label Contact. Show all posts

Thursday, November 20, 2014



The Movie Interstellar: The Science Behind the Story

Lots of my students are asking questions about the new film Interstellar.  I have been hearing about the movie for some time; the studio even sent me a “teachers’ guide” that was not especially useful, but piqued my interest.  Most exciting for me was the news that the scientific advisor (and one of the producers of the film) was Prof. Kip Thorne of Caltech, who is arguably the world’s expert on black holes and wormholes -- and designed the science behind the “galactic subway system” in Carl Sagan’s novel and film Contact.

I wrote to Dr. Thorne and he told me that he had indeed been involved with Interstellar, and had, in fact written a book, entitled The Science of Interstellar, to explain the complicated science that was the basis for some of the more intriguing scenes and events in the film.   The book also tells the story of the film, which was always supposed to be strong on science, and, at one time, was set to be directed by Stephen Spielberg.  But that original deal fell apart and it took a while to bring Christopher Nolan, the film’s current director, into the project.

Dr. Thorne wasn’t the only scientist involved in the long period before the movie went from an idea to a completed production.  Yesterday, I was talking with Dr. Frank Drake, the father of the scientific search for extra-terrestrial intelligence, and he told me that he was on one of the early panels of scientists brought together (with Stephen Spielberg) to make sure the plot stayed close to real science and possible science.

With Christopher Nolan and his brother Jonathan (a writer of screenplays) involved, the film evolved from the script Dr.Thorne and producer Lynda Obst had first envisioned, to include much more about a future Earth facing ecological disaster.  Still, the original thought, to portray black holes and worm holes as accurately as modern science can make it, was high on everyone’s list of priorities.

A black hole is a place where the death and collapse of a huge star has produced such strong gravity, that space itself is “warped” -- and nothing, not even light can escape.  Near a black hole, time proceeds more slowly than in the rest of the universe, and this change in the flow of time becomes a major plot element in the movie.  Both the existence of black holes and their strange effect on time have been demonstrated by many experiments and are well established.

A wormhole is more speculative, but something Einstein himself thought a bit about.   It’s a place where a black hole or some other unusual feature of space and time becomes a tunnel (or short cut) from one place in space to another place very far away, or even to another time.  In a wormhole, the dangerous effects you would feel falling into a black hole are somehow kept at bay, so that a spaceship can go through it to elsewhere or elsewhen.

Both wormholes and black holes get major roles in Interstellar.  The astronauts in the movie first use a wormhole to get from our Milky Way Galaxy to another galaxy far far away.   Then, they wind up in the new galaxy in a location where there is a massive, spinning black hole, with planets around it.  I won’t give anything else away, except to say that the special effects showing the wormhole and the gargantuan black hole were composed from calculations made by Dr. Thorne and his team at Caltech, fed directly to the computers of the special effects team for the movie – and they are truly SPECTACULAR.

For more, I recommend reading Dr. Thorne’s book (pictured in this post) and going to see the movie – especially if you are a black hole fan.  Dr. Thorne also has a web page with some animations at: https://interstellar.withgoogle.com/transmissions

Sunday, October 13, 2013

A Matter of "Gravity"


The new space-disaster movie "Gravity" is very much in the spotlight these days. Astronomer Neil deGrasse Tyson, whose articulate and good-humored commentary is justly earning him the title of America's public astronomer (a title Carl Sagan used to hold,) recently found some problems with the science in the film and it caused a stir. But two other astronomer-writers have done an even more detailed analysis of what is right and what is wrong with the film.

Before I send you to the web pages where the analysis can be found, let me urge you to see and enjoy the movie first. Those of you with some science background, see if you can spot what is so well done and what is not quite right with the science. Everyone else, please go and enjoy the 3-D spectacle. Then you can come back and read about the issues with the science.

Phil Plait, the "Bad Astronomy" webmaster, gives his articulate analysis at:http://www.slate.com/blogs/bad_astronomy/2013/10/04/ba_movie_review_gravity.html

Jeffrey Kluger discusses the film's pluses and minuses for Time Magazine at: http://science.time.com/2013/10/01/what-gravity-gets-right-and-wrong-about-space/

Neil Tyson's tweets and a response from astronomer Kevin Grazier, the science advisor for the film (and a number of TV shows) can be found summarized at:http://www.theatlanticwire.com/technology/2013/10/neil-degrasse-tyson-fact-checks-gravity/70234/

As for me, I am always happy when film blockbusters get kids and the public thinking about things beyond the Earth. Some of my favorite films that have good science ideas to recommend them include "2001," "Contact (where Jodi Foster's character was based in part on one of my favorite astronomers, Jill Tarter), and the older (and more philosophical) "Five Millions Years to Earth." 


And I heard it from astronomer Fred Hoyle that the old British horror movie "Dead of Night" was one of the contributing inspirations to the steady-state theory of the universe that he and Hermann Bondi came up with (together with Thomas Gold.)  Hoyle and Bondi saw the film (which has no real beginning or ending -- watch it to see what I mean) and asked themselves, "Could the universe be like this?"